Ja, no, man
Like most children of the 1970s and 1980s, Richard Poplak grew up obsessed with pop culture. Watching The Cosby Show , listening to Guns N'Roses, and quoting lines from Mad Max movies were part of his everyday life. But in Richard's country, South Africa, censorship in the newspapers, military training at school, and different rules for different races were also just a part of everyday life. It was, as Richard says, "a different kind of normal." Ja, No, Man articulates what it was like to live through Apartheid as a white, Jewish boy in suburban Johannesburg. Told with extraordinary humour and self-awareness, Richard's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read.
Conversations with myself
Mandela wrote almost every day of his long life: notebooks, jottings, drafts of letters to heads of state; and perhaps most movingly of all, letters from his long imprisonment on Robben Island, most of which, tragically, were never passed on to their recipients. Conversations with Myself is a very personal book - a book of private thoughts and lessons learned; but, as we have come to expect from the great man, the sense of hope and gentle wisdom that shines from these letters and diaries make this a book for everyone - a chance to share Mandela's recollections of a long life, fully lived.
Country of my skull
Ever since Nelson Mandela dramatically walked out of prison in 1990 after twenty-seven years behind bars, South Africa has been undergoing a radical transformation. In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors? To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families.
She left me the gun
In Born A Crime, Trevor Noah speaks often of the strength of his mother and her abusive relationship with his stepfather. Emma Brockes has a similar experience with her mother. A mystery to her friends and family, Emma Brockes' mother, Paula was clearly a strong, self-invented woman; glamorous, no-nonsense, and frequently out of place in their quaint English village. In awe of Paula's larger-than-life personality, Brockes never asked why her mother emigrated to England or why she never returned to South Africa; never questioned the source of her mother's strange fears or tremendous strengths. Looking to unearth the truth after Paula's death, Brockes begins a dangerous journey into the land--and the life--her mother fled from years before. Brockes soon learns that Paula's father was a drunk megalomaniac who terrorized Paula and her seven half-siblings for years. After finally mustering the courage to take her father to court, Paula is horrified to see the malevolent man vindicated of all charges. As Brockes discovers, this crushing defeat left Paula with a choice: take her own life, or promise herself never to be intimidated or unhappy again.
When first published 20 years ago, Kaffir Boy changed the way the West understood South Africa. As powerful today as when it was first written, Mathabane's remarkable story of life under apartheid is told with brutal honesty and gives the reader a rare glimpse, behind the protests and boycotts, of the daily fear and hunger which was so devastating to the soul. Often compared to Richard Wright's Black Boy, Kaffir Boy is a memoir of growing up in a world where poverty, hopelessness and desperation are constant companions.
One day I will write about this place
Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him. In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties. Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.
The color of water
Who is Ruth McBride Jordan? A self-declared "light-skinned" woman evasive about her ethnicity, yet steadfast in her love for her twelve black children. James McBride, journalist, musician, and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother . The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades, and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion--and reached thirty before he began to discover the truth about her early life and long-buried pain.
The Daily show (the book)
The complete, uncensored history of the award-winning The Daily Show with Jon Stewart, as told by its correspondents, writers, and host. For almost seventeen years, The Daily Show with Jon Stewart brilliantly redefined the borders between television comedy, political satire, and opinionated news coverage. It launched the careers of some of today's most significant comedians, highlighted the hypocrisies of the powerful, and garnered 23 Emmys. Now the show's behind-the-scenes gags, controversies, and camaraderie will be chronicled by the players themselves, from legendary host Jon Stewart to the star cast members and writers-including Samantha Bee, Stephen Colbert, John Oliver, Steve Carell, Lewis Black, Jessica Williams, John Hodgman, and Larry Wilmore-plus some of The Daily Show 's most prominent guests and adversaries: John and Cindy McCain, Glenn Beck, Tucker Carlson, and many more. This oral history takes the reader behind the curtain for all the show's highlights, from its origins as Comedy Central's underdog late-night program hosted by Craig Kilborn to Jon Stewart's long reign to Trevor Noah's succession.
When Trevor Noah took over as host of The Daily Show, he replaced Jon Stewart, who manned the desk for 17 years and changed the way people perceived both news and comedy. Since his arrival at The Daily Show in 1999, Jon Stewart has become one of the major players in comedy as well as one of the most significant voices in the media. In Angry Optimist, biographer Lisa Rogak charts his unlikely rise to stardom. She follows him from his early days growing up in New Jersey, through his years as a struggling standup comic in New York, and on to the short-lived but acclaimed The Jon Stewart Show . And she charts his humbling string of near-misses--passed over as a replacement for shows hosted by Conan O'Brien, Tom Snyder, and even the fictional Larry Sanders--before landing on a half-hour comedy show that at the time was still finding its footing amidst roiling internal drama. Once there, Stewart transformed The Daily Show into one of the most influential news programs on television today. Drawing on interviews with current and former colleagues, Rogak reveals how things work--and sometimes don't work--behind the scenes at The Daily Show, led by Jon Stewart, a comedian who has come to wield incredible power in American politics.